2017, 10-19 March
Maastricht, Netherlands

/ Exhibitors

by name

Dickinson (stand 402)

Objects
<i>Landscape with a windmill, figures and horses by a farmstead</i> - Jan Brueghel the Elder
http://www.tefaf.com/DesktopDefault.aspx?tabid=181&dealerid=221&objectid=720674

Jan Brueghel The Elder (Brussels 1568-1625 Antwerp)

Landscape with a windmill, figures and horses by a farmstead

Oil on copper
11.8 x 16.7 cm
Signed and dated lower left 'BRUEGHEL 1606' and stamped on the reverse with the maker’s mark of Pieter Stas (active Antwerp circa 1587–1610)

Provenance
By descent in the family of the present owner since the early 20th century

<i>La Ville de Paris, la Femme et la Tour Eiffel</i> - Robert Delaunay
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Robert Delaunay (Paris 1885-1941 Montpellier)

La Ville de Paris, la Femme et la Tour Eiffel

Oil on two canvasses in one frame
Total 300 x 94 cm
Signed lower centre 'r delaunay', signed in red on the lower part of the stretcher 'ROBERT DELAUNAY' inscribed in red on verso 'F.628 BAS', and again in blue crayon and inscribed on the upper part of the stretcher in red 'H 233'
1925

Provenance
Sonia Delaunay, Paris; Galerie Gmurzynska, Cologne; Private Collection, Germany, acquired from the above

Literature
Bulletin de l’Effort Moderne, July 1925, no. 17, pp. 12-13 (illus.); L. Bovey and E. Manganel, Le Mouvement dans L’Art Contemporain, exh. cat., Musée Cantonal des Beaux-Arts, Lausanne, 1955, no. 26; L. Degand, Robert Delaunay, exh. cat., Musée des Beaux-Arts, Liège, 1955, no. 11; C. Schweicher, Robert Delaunay, exh. cat., Städtisches Museum Morsbroich, Leverkusen, 1956, n.p., ...

Exhibitions
Paris, Hall of the French Ambassador, Exposition Internationale des Arts Decoratifs et Industriels Modernes, April – Oct. 1925; Liège, Musée des Beaux-Arts, Robert Delaunay, 23 April – 22 May 1955, no. 11; Lausanne, Musée Cantonal des Beaux-Arts, Le Mouvement dans L’Art Contemporain, 24 June – 26 Sept. 1955, no. 26; Leverkusen, Städtisches Museum Morsbroich, Robert Delaunay, 7 June – 15 July 1956, no. 53 (lent by Sonia Delaunay); this exhibition later travelled to Freiburg, Kunstverein, 22 July – 19 Aug. 1956; Turin, Galleria Civica d’Arte Moderna, Robert e Sonia Delaunay, March 1960, no. 31; Paris, Musée Carnavalet, Paris vu par les Maîtres de Corot à Utrillo, March – May 1961, no. 23; Hamburg, Kunstverein, Robert Delaunay, 26 Jan. – 11 March 1962; this exhibition later travelled to Cologne, Wallraf-Richartz-Museum, 24 March – 6 May; and Frankfurt, Kunstverein, 18 May – 24 June 1962; Paris, Musée des Arts Decoratifs, 1925, 15 Oct. 1976 – 2 Feb. 1977, no. 57; Paris, Salon des Indépendants, 1978 (lent by Sonia Delaunay); Tokyo, National Museum of Modern Art, Robert and Sonia Delaunay, 9 Nov. – 23 Dec. 1979, no. 27 (lent by Jacques Damase, Paris); Berlin, Deutsche Guggenheim, Visions of Paris: Robert Delaunay’s Series, 7 Nov. 1997 – 4 Jan. 1998, no. 42; this exhibition later travelled to New York, Solomon R. Guggenheim Museum, 16 Jan. – 25 April 1998

<i>Au bord de l’Eau</i> - Pierre Auguste Renoir
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Pierre Auguste Renoir (Limoges 1841-1919 Cagnes-sur-Mer)

Au bord de l’Eau

Oil on canvas
54.6 x 65.7 cm
Signed lower right 'Renoir'
1885

Provenance
Ambroise Vollard, Paris, deposited on 26 Nov. 1920; Galerie Durand-Ruel, Paris (inv. no. 11.871, photo no. 9303), bought from Vollard on 21 Dec. 1920; Frank and Alice Osborn, Dobbs Ferry, New York, acquired from the above on 21 Dec. 1920 (for $10,000); Philadelphia Museum of Art, Pennsylvania, bequeathed by Alice Osborn in 1966, deaccessioned; Private collection, U.S.A., acquired from the above through William Beadleston, Inc., New York, in 1993

Literature
A. Vollard, Tableaux, Pastels et Dessins de Pierre-Auguste Renoir, Paris, 1918, vol. II, p. 83, no. 1134; F. Daulte, Auguste Renoir, Munich, 1973, p. 79; E. Fezzi, Tout l’œuvre peint de Renoir, période impressionniste 1869-1883, Paris, 1985 (translated from Italian, Milan, 1972), p. 12, no. 550; S. Monneret, Renoir, trans. E. Read, London, 1990, p. 150, no. 11; G.-P. an...

Exhibitions
Paris, Durand-Ruel, Tableaux, pastels et dessins par Renoir, 29 Nov. – 18 Dec. 1920, no. 56; Nagoya, City Art Museum, Renoir Retrospective, 15 Oct. – 11 Dec. 1988, no. 29; this exhibition later travelled to Hiroshima, Museum of Art, 17 Dec. – 12 Feb. 1989; and Nara, Prefectural Museum of Art, 18 Feb. – 9 April 1989; Philadelphia, Philadelphia Museum of Art, Renoir: The Great Bathers, 9 Sept. – 25 Nov. 1990; Sapporo, Hokkaido Museum of Modern Art, European Painting and Sculpture from the Philadelphia Museum of Art: Towards the Twentieth Century, 18 July – 23 Aug. 1992, no. 27; this exhibition later travelled to Kofu, Museum of Art, 5 Sept. – 4 Oct. 1992; and Nagoya, Museum of Art, 10 Oct. – 23 Nov. 1992; Tübingen, Kunsthalle, Renoir, 20 Jan. – 27 May 1996, no. 51

<i>Untitled (Woman)</i> -
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Willem de Kooning (1904-1997)

Untitled (Woman)

Pencil and pastel on tracing paper
60 x 47 cm
Inscribed 'souvenir to Paul from Bill de Kooning'
Circa 1950-53

Provenance
Private collection, where? acquired directly from the artist in circa 1959; Anon. Sale; Sotheby’s, New York, 3 May 1995, lot 247; Ambassador Mehdi Vakil; and by descent; Private collection, where?

<i>Susannah and the elders</i>  -
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Pier Leone Ghezzi (1674-Rome-1755)

Susannah and the elders

Oil on canvas
125.7 x 171.4 cm
Late 1720's, early 1730's

Provenance
Private collection, England, and by descent

About the exhibitor
Contact the exhibitor
Dickinson
58 Jermyn Street
London, SW1Y 6LX
United Kingdom
T  +44 20 74 93 03 40
F  +44 20 74 93 07 96

[br] Dickinson (New York)
19 East 66th Street
New-York, NY 10065
United States
T  +1 212 772 80 83
F  +1 212 772 81 86

[br]

info@simondickinson.com
http://www.simondickinson.com

TEFAF Paintings

Director(s):Emma Ward, Aurelie Didier, Roxana Bruno Lamb, Dorkin Molly , James Roundell, Heinrich zu Hohenlohe, Simon Dickinson, David Ker


Master Paintings

Simon C. Dickinson Ltd. was founded in 1993 by Simon Dickinson, formerly Christie´s London head of Old Master Pictures, and David Ker, a dealer in English Pictures. They were subsequently joined by James Roundell, former head of Christie´s London Impressionist and Modern Department. The Company now offers an exceptional range of experience and expertise in European painting and provides a discreet alternative to buying and selling works of art at auction, the majority of business being conducted on behalf of private clients and institutions on a commission basis.


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