Saint Jerome

Guido Reni (1575-Bologna-1642)

Oil on canvas 65.1 x 50 cm (25 5/8 x 19 11/16 in.) Circa 1605-1610

The work was painted early in the artist´s career, during the artist´s Roman sojourn. Reni arrived in Rome at the end of 1601. In 1605 he paid early tribute to Caravaggio (1571-1610) in the Crucifixion of Saint Peter (Rome, Vatican Picture Gallery) painted for Cardinal Pietro Aldobrandini. This is the language used for the Saint Jerome, at a point when Reni, struck by the revolution brought about by the great Lombard painter, aimed to approximate his style as closely as possible.

The skilful use of chiaroscuro supports the figure´s expressive and monumental aspects.

The artist´s youthful style is reflected in the painterly freedom of handling, especially fluid in the hands and the great flowing beard and locks of hair, as well as in the swiftly-rendered stone. Carefully-studied light is mainly applied to the face: the saint seems bathed in his faith, and the sense of spirituality is accentuated by the bust-length format.

More details
London, Christie´s sale, 8 December 2005, lot 45 (as Guido Reni); Private collection, Europe
Véronique Damian, La Vierge enfant de Francisco de Zurbaran. Trois portraits par Simon Vouet, Pietro Martire Neri et Angelika Kauffmann. Tableaux bolonais, vénitiens et napolitains du XVIe et XVIIe siècle, Paris 2014, pp. 26-31; Francesca Candi, D´après le guide. Incisioni seicentesche da Guido Reni, Bologna 2016, p. 252; Carlo Cesare Malvasia, Felsina pittrice: Lives of Bolognese Painters, Volume 9: The life of Guido Reni, Elisabeth Cropper, Lorenzo Pericolo and Mattia Biffis, eds., London 2018, forthcoming


Galerie Canesso

"Old Master Paintings"

More about the exhibitor

The TEFAF promise - every object is professionally vetted by TEFAF before exhibiting on the fair.