Willem van Haecht Apelles schildert Campaspe

Willem van Haecht, Apelles Painting Campaspe, 1630. Image Credit: Mauritshuis, Den Haag.

Provenance Research: Museums, Private Collectors, and the Art Trade

Provenance research is a steadily growing area of focus in museums. It is important to know the previous owners of an object and the way it has been traded in order to establish that the object was not acquired unlawfully, and that another party might not have a claim to ownership.

CODART Patrons Salon

Saturday, March 14, 2025

9:30AM — 11:00AM CET
TEFAF SALON, MECC MAASTRICHT

 

Registration is mandatory but free to TEFAF Maastricht ticket holders

Overview

Provenance research is a steadily growing area of focus in museums. It is important to know the previous owners of an object and the way it has been traded in order to establish that the object was not acquired unlawfully, and that another party might not have a claim to ownership. By endorsing the ICOM Code of Ethics, museums are obligated to do everything they can to determine an object's provenance before they acquire it. But how does this apply to private individuals? What responsibilities do they have when purchasing a work of art, and what obligations are there for dealers? 

In this panel discussion, we will explore various aspects of provenance research in the private sector, on the basis of several case studies. As a collector, how can you handle an object with a potentially problematic history? What are the differences between provenance research for museum institutions and for the market or a collector? What if an object is claimed by another party after purchase?

We are pleased to share that the following panelists have agreed to share their views and experiences on this subject. Christopher Atkins, director of the Center for Netherlandish Art at the Museum of Fine Arts in Boston, will lead the conversation and speak about a restitution case the museum resolved in 2023. Emilie den Tonkelaar, PhD candidate in provenance research at Leiden University and specialist Old Master paintings at Hoogsteder&Hoogsteder, will outline provenance research in the private sector. What is being done in this area, and what are the most common issues? Joseph Roussel, collector and Patron for Life of CODART, will share his personal experiences with conducting provenance research as a private collector and the challenges this poses.

AGENDA — March 14, 2025

9:30AM - 9:55AMWelcome with coffee and tea
9:55AM - 10:00AMWord of welcome by Maartje Beekman, director of CODART
10:00AM - 10:40AMIntroduction to the speakers and panel discussion
10:40AM - 11:00AMClosing words and time for questions from the audience and discussion, led by moderator

This Salon is open to CODART Patrons and Business Sponsors and to all those who wish to become acquainted with CODART and what it offers its benefactors. The number of participants is limited, so early application is advisable.

Christopher Atkins
Christopher Atkins Director of the Center for Netherlandish Art at the Museum of Fine Arts in Boston
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Emilie den Tonkelaar PhD candidate in provenance research at Leiden University and specialist Old Master paintings at Hoogsteder&Hoogsteder
Jana and Joseph Roussel 700x988
Joseph Roussel Collector and Patron for Life of CODART

Location & Access

Attendance to the Patrons Salon is complimentary with the purchase of a ticket to TEFAF Maastricht. However, please note that registration is a mandatory requirement for participation and there is limited availability of seats.

For questions about the CODART Patrons Salon, contact [email protected]