This Early Work by Canaletto is Brought Back to Life After Conservation
The artist’s original intentions in the Venice view come to light after treatment supported by the TEFAF Museum Restoration Fund
- By TEFAF Editors
- Museum Restoration Fund
The collection of the Denver Art Museum—founded in 1893 as the Denver Artists’ Club—consists of more than 70,000 works across 12 permanent collections, ranging from art of the ancient Americas, Oceanic art, and Asian art to European and American art before 1900, modern and contemporary art, and Indigenous arts of North America.
During a survey of the museum’s collections, a painting which had been bequeathed by a local collector and held in the museum’s storage due to its condition was discovered to be an early work by the Italian painter Canaletto (1697-1768). Venice: The Molo from the Bacino di S. Marco(circa 1724) was painted by the popular vedute painter before he was in demand and depicts a composition that had been unknown in his œuvre. The work received treatment in many decades and a full conservation of the painting would bring it back to life, for which the TEFAF Museum Restoration Fund provided support in 2012.
Through an in-depth examination, the conservators aimed to learn as much as possible about the painting before its treatment. Previous restorations—including old varnish and corrections—significantly disrupted the painting and had created compositional inaccuracies and were removed. The painting also received a structural treatment by removing its old lining and the addition of a new lining canvas, and areas of losses were painted in. Following treatment, the painting represented the artist’s original intentions once more and was ready for display at the museum.
The Detroit Institute of Arts Reveals Titian’s Techniques After Restoring This Important Late Work by the Venetian Painter
Supported by the TEFAF Museum Restoration Fund, Titian’s “Judith and her Maidservant with the Head of Holofernes” has been preserved for future generations of visitors