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Please note that the content on the website may be used for press purposes when covering the TEFAF art fair. The usage rights are at publication's discretion. It cannot be guaranteed that the objects currently shown on the website will pass TEFAF vetting which takes place shortly prior to the opening of the Fair.
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Lead Sponsor Maastricht
Lead Sponsor New York
Civic Pride: The City as Collector
This discussion will explore what it means for a city to collect, or for a museum to collect objects relating to the history and artistic production of cities.
Old Masters, New Spaces: Historical Art in Modernist Buildings
This discussion will place the Frick’s venture in the context of other modernist spaces in which historical collections have been displayed.
Chapel Service: Sacred Spaces and Post-war Art
This conversation will explore the aesthetic and spiritual concerns of such projects, discussing their role in what is often described as a ‘post-religious’ world
Art in Public: Redefining History, Memory, Identity
In 2018, the removal of Confederate monuments, both officially and through acts of resistance, and who and how to memorialize were our focus.
Retrieving Lost Identities: The Black Figure in Art, Past and Present
One of the most urgent and compelling topics shaping the art world today is the pictorial representation of the black figure— a complex and highly charged subject whose dynamics extend far beyond the studio, gallery, and classroom.
Judging Art: Vetting in the World’s Top Museums, Art Fairs and Collections
This panel of specialists reveals their own backstage stories about how certain outstanding objects were chosen and others eliminated and the difficult decision-making that is a part of the process.
Stone and Faith: Rebuilding Notre Dame
Notre Dame’s reconstruction whether viewed through a spiritual, aesthetic, or historic lens, will continue to fascinate and frustrate us. It will also yield practical lessons about a host of preservation, heritage, and its institutional role in the city itself.