STORIES

Produced in partnership with AAMC, this panel discusses the art world’s efforts towards sustainable and climate-conscious modes of working

Produced in partnership with Apollo Magazine, this panel looks at the story of Herrera’s rise to art world fame and the workings of museums and the market

Produced in partnership with Apollo Magazine, this panel takes as a starting point a recent exhibition at the Whitney Museum of American Art and explores how modernists used abstraction in response to the realities of a rapidly modernizing world

Produced in partnership with the Prince Claus Fund, this panel discusses the urgent need and practicalities of the protection of culture in crisis situations

Produced in partnership with the Financial Times, this panel explores the place of art fairs now that they are back. What have we learned and what could come next?

Produced in partnership with Bank of America, this panel explores the drivers and challenges of developing a collecting strategy, establishing and growing a collection, and leveraging one’s collection in dynamic ways

Produced in partnership with Apollo, explore the lives, collections, and legacies of Alice de Rothschild, Helene Kröller-Müller, and Marjorie Merriweather Post

Four experts discuss future directions and possibilities for art fairs in this conversation from TEFAF Online 2021, produced in partnership with the Financial Times

This discussion will explore what it means for a city to collect, or for a museum to collect objects relating to the history and artistic production of cities.

This discussion will place the Frick’s venture in the context of other modernist spaces in which historical collections have been displayed.

This conversation will explore the aesthetic and spiritual concerns of such projects, discussing their role in what is often described as a ‘post-religious’ world

In 2018, the removal of Confederate monuments, both officially and through acts of resistance, and who and how to memorialize were our focus.

One of the most urgent and compelling topics shaping the art world today is the pictorial representation of the black figure— a complex and highly charged subject whose dynamics extend far beyond the studio, gallery, and classroom.

This panel of specialists reveals their own backstage stories about how certain outstanding objects were chosen and others eliminated and the difficult decision-making that is a part of the process.

Notre Dame’s reconstruction whether viewed through a spiritual, aesthetic, or historic lens, will continue to fascinate and frustrate us. It will also yield practical lessons about a host of preservation, heritage, and its institutional role in the city itself.