STORIES

The vetting process is one of the main pillars of TEFAF’s success for buyers to acquire art with confidence.

“I would encourage people to look deep into their souls” : Collector, Patricia Cisneros on responsibility to cultural history.

The Morse Museum has dedicated most of its collection to the preservation of art, furniture and objects from Laurelton Hall, it seemed like the perfect fit for this highly important Tiffany masterpiece.

Rarely do examples of Louis Comfort Tiffany’s (1848–1933) most personal, and arguably most creative, works of art come to the market. But, in the fall of 2019 Lillian Nassau LLC unveiled a Tiffany treasure at TEFAF.

AXA XL: Safety in Art Transport

Narrowing the Gap: Science and the Art Market.

President & CEO of Van Cleef & Arpels, Nicolas Bos, talks about the House’s Heritage collection and the place of jewelry being a form of Decorative Arts at TEFAF

Christian Hemmerle from Hemmerle, shares about the details behind the craftsmanship of the blue aquamarine necklace showcased from TEFAF Maastricht 2020.

One of the most urgent and compelling topics shaping the art world today is the pictorial representation of the black figure— a complex and highly charged subject whose dynamics extend far beyond the studio, gallery, and classroom.

This panel of specialists reveals their own backstage stories about how certain outstanding objects were chosen and others eliminated and the difficult decision-making that is a part of the process.

John Swarbrooke from Dickinson Gallery explains the beauty and play of light behind the cast of Auguste Rodin’s Eve.

Howard Shaw from Hammer Gallery shares what Van Gogh would have most likely seen when he visited Paris in 1886. This period of Van Gogh’s life is pivotal to his works as an artist.

Floris van der Ven from Vanderven Oriental Art takes us on a tour around the spacious gallery in ‘s-Hertogenbosch, The Netherlands and shows us an exclusive behind the scenes in the life of an art dealer.

An offer so tantalizing she couldn’t refuse.

Notre Dame’s reconstruction whether viewed through a spiritual, aesthetic, or historic lens, will continue to fascinate and frustrate us. It will also yield practical lessons about a host of preservation, heritage, and its institutional role in the city itself.

Through the restoration process, the V&A will gain insight into how the office was constructed and this information will be of interest to expert conservators around the world.

Considering its age, the work is in good condition, but it requires a careful restoration, which is in progress under Joseph Fronek, Head of Paintings Conservation.

Learn how it took a small army of people to clean, repair and restore one of the National Gallery’s largest paintings:

Restorient invites you inside their studio to give you an exclusive view of the Kawahara Keiga screen during its restoration.